Poesía de lo Imposible. Gerardo Diego y la música de su tiempo

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  • Rosa Iniesta Masmano

DOI:

https://doi.org/10.7203/itamar..12867

Resumen

Following Christine Esclapez’ research of another musicology, we take the study of the notion of silence of André Souris as an opportunity to think about the specificity of musicological expression. The links between music, musicologist and their audience create a movement of speech, which in turn defines a space of expression. The distance between theoretical speech and its practical application, or the distance between the speaker and the auditor are observable signs of the passing into speech of music, considered as an entity which can’t perish, awaiting an extension. André Souris’ choice is nothing more, and nothing less, than an attempt to bring a conterminous world into existence, creating a new territory on the frontiers between what is said and what is listened to.

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Publicado

2018-07-24

Cómo citar

Iniesta Masmano, . R. (2018). Poesía de lo Imposible. Gerardo Diego y la música de su tiempo. Itamar. Revista De investigación Musical: Territorios Para El Arte. https://doi.org/10.7203/itamar.12867
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