La vocalidad del violín en el norte de Italia en torno a 1600

Resumen

Throughout the present research I intend to demonstrate the powerful link between the vocal practice in accompanied monody and the way Early Italian violin music ought to be interpreted. Due to the scarce amount of articulation and ornamentation in this music, I consider that historical criteria should be found in order to back up the subjective choices in its performance. According to this, I focus on reviewing sources that describe the vocal practice around 1600, but also contemporary sources in which we can find instructions addressed to bow instruments. Besides, a catalogue of articulations and ornamentations present in early editions of printed violin music is attached. Last, I comment on a selection of violin music of the early Seventeenth Century, on which, based on the information previously gathered, I analyze those elements and drifts that are specifically vocal.