Ramón Barce: análisis de su obra escénica (Segunda parte)

Abstract

This work proposes, by means of the analysis of six of his works, the revaluation of the scenic in the trajectory of the music composer Ramón Barce (Madrid, 1928-2008), a founding member of the Zaj group and author of three important creations for the same ?Traslaciones (Translations), Estudio de Impulsos (Impulse Studies) and Abgrund, Hintergrund-and three others already outside of that group: Coral Hablado (Spoken Chorale), Oleada (Wave) and Hacia mañana, hacia hoy (Towards tomorrow, towards today). It is proved with all this that the theatrical in Barce, so far a facet little or nothing valued, however it is essential to understand a representative part of the artistic catalogue of this significant member of the Spanish avant-gardes of the second half of the twentieth century.