Documentary film and complaint: world model in Devil’s freedom and Storm

Authors

  • Abigail Méndez Rangel Universidad Autónoma de Puebla

DOI:

https://doi.org/10.7203/qdfed.25.18993

Keywords:

Documentary cinema, world’s model, syllogism, afept, visual violence.

Abstract

The genre of visual documentary is one of the means that have been used as a complaint against de PRIAN governments in Mexico and the social disastrous situation to which it gave rise. In the following pages, taking into account Manuel Asensi’s theory of world’s model, we carried out an analysis of Everardo González’ documentary, The Devil’s Freedom, and to a lesser extent, the one of Tatiana Huezo, Storm (2016), whose premises, syllogisms and world’s models are analyzed from the films setup. The results point out the modelizing capacity of these texts within the frame of a global fight for freedom and true democracy in Mexico.

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Published

2020-12-17

How to Cite

Méndez Rangel, A. (2020). Documentary film and complaint: world model in Devil’s freedom and Storm. Quaderns De Filologia - Estudis Literaris, 25, 125–137. https://doi.org/10.7203/qdfed.25.18993
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Issue

Vol. 25 (2020): New methods of literary criticism: Manuel Asensi's criticism as sabotage

Section

Artículos

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