El Nadir de la Ciencia Ficción

Authors

  • Juan Julián Merelos Guervós University of Granada

DOI:

https://doi.org/10.7203/qf-elit.v14i0.4025

Keywords:

literary analysis, science-fiction, cyberpunk

Abstract

Literary genres evolve according to a cycle: they are born, grow up, reproduce and eventually die, but it is not easy to see, in advance, whether a genre is in its death throes or not. However, looking just at the perceived state, science-fiction currently does not look too good. Its Golden Age was way back in the Fifties (of the last century, no less) and even if so-calle sci-fi movies are popular, these are mostly super-hero or space-opera rather than true, science-fact based, science-fiction.

This perception does not imply it is not going to hold. But there are further problems: there are good, but not great science-fiction authors. Many of the most popular have progressively quit sci-fi; William Gibson, harbinger of the cyberpunk genre, is lately a post-modern techno-thriller writer and Neal Stephenson does mainly historical novels. There is even a counter-genre, mundane science-fiction which totally eliminates fake scientific tropes such as faster than light travel or telepathy.

In this article, finally, we will try to revise the state of current science-fiction and estimate the probability of it being in its lowest point, its nadir, and, eventually, about to disappear as a literary genre.

Downloads

Download data is not yet available.

Author Biography

Juan Julián Merelos Guervós, University of Granada

Professor of Architecture and Computing Technology Department ATC, ETSIIT

How to Cite

Merelos Guervós, J. J. (2014). El Nadir de la Ciencia Ficción. Quaderns De Filologia - Estudis Literaris, 14, 293–303. https://doi.org/10.7203/qf-elit.v14i0.4025
Metrics
Views/Downloads
  • Abstract
    259
  • PDF (Español)
    120

Metrics

Similar Articles

<< < 8 9 10 11 12 13 14 15 16 17 > >> 

You may also start an advanced similarity search for this article.