A Study of Elpis in Ancient Greek Literary Laments and Songs for the Dead: Hope and the Tradition of Greek Lament
DOI:
https://doi.org/10.7203/SPhV.25.26005Paraules clau:
ritual lament, lyric poetry, emotionsResum
Much of current scholarship aims at reconstructing ritual lamentation based on evidence from early Greek epic and lyric poetry and fifth-century tragedy. This paper, although it is an examination of a specific human emotion, elpis, within the corpus of early and classical Greek epic, lyric, and dramatic poetry that are thought to preserve the oral traditions of the genre, takes also into consideration the inscribed ancient Greek songs for the dead; that is archaic and classical epigrams and their later counterparts encountered, mainly, in the Greek Anthology. A study of elpis, a highly culturally dependent emotion, within these contexts will allow us to have a glimpse of the hermeneutic frames provided by each poetic genre, their performative contexts, and the expectation of the audiences, as well as of the general world-view that is shared by the poetic genres in question. In other words, a study of elpis in ancient Greek laments and songs for the dead will enable us to have a slightly clearer image of the evolution and the nature of this oral genre from archaic times until the Late Antiquity.
Descàrregues
Referències
Alexiou, M. (1974), The Ritual Lament in Greek Tradition, Lanham, MD.
Bobou, O. (2018), ‘‘Hope and the Sub-adult’’, in G. Kazantzidis - D. G. Spatharas (eds.), Hope in Ancient Literature, History, and Art, Berlin - Boston, pp. 329-350.
Bowra, C. M. (1938), ‘‘Plato's Epigram on Dion’s Death’’, AJPh 59.4, 394-404.
Butler, S. (1898), The Iliad of Homer, London.
Cairns, D. (2016), ‘‘Metaphors for Hope in Early Greek Literature’’, in R. R. Caston - R. A. Kaster (eds), Hope, Joy, and Affection in the Classical World (Festschrift for David Konstan), Oxford, pp. 13‐44.
Chaniotis, A. (2013), ‘‘Moving Stones: The Study of Emotions in Greek Inscriptions’’, in A. Chaniotis - P. Ducrey (eds.), Unveiling Emotions II. Emotions in Greece and Rome: Texts, Images, Material Culture, Stuttgart, pp. 91-130.
Chaniotis, A. (2018), ‘‘Elpis in the Greek Epigraphic Evidence, from Rational Expectation to Dependence from Authority’’, in G. Kazantzidis - D. G. Spatharas (eds.), Hope in Ancient Literature, History, and Art, Berlin - Boston, pp. 351-365.
Chong-Gossard, J. H. K. (2103), ‘‘Mourning and Consolation in Greek Tragedy: The Rejection of Comfort’’, in H. Baltussen (ed.), Greek and Roman Consolations. Eight Studies of a Tradition and its Afterlife, Swansea 2013, pp. 37-66.
Coleridge, E. P. (1891), Euripides. The Plays of Euripides, vol. I, London.
Coleridge, E. P. (1938), Euripides. The Complete Greek Drama, edited by Whitney J. Oates and Eugene O'Neill, Jr. in two volumes. 1. Heracles, translated by E. P. Coleridge, New York.
Day, J. W. (1989), ‘‘Rituals in Stone: Early Greek Grave Epigrams and Monuments’’, JHS 109, 16-28.
Derderian, K. (2001), Leaving Words to Remember: Greek Mourning and the Advent of Literacy, Leiden.
Dué, C. (2006), The Captive Woman’s Lament in Greek Tragedy, Austin, TX.
Dyson, M. - K. H. Lee (2000), ‘‘The Funeral of Astyanax in Euripides’ Troades’’, JHS 120, 17-33.
González González, M. (2019), Funerary Epigrams of Ancient Greece: Reflections on Literature, Society and Religion, London.
Horsley, G. H. R. (1982), New Documents Illustrating Early Christianity: A Review of the Greek Inscriptions and Papyri published in 1977, vol. 2, North Ryde.
Hunter, R. (2022), Greek Epitaphic Poetry, A Selection, Cambridge - New York.
Jebb, R. (1891), Sophocles. The Antigone of Sophocles. Edited with introduction and notes by Sir Richard Jebb. Sir Richard Jebb, Cambridge.
Jebb, R. (1889), Sophocles. The Oedipus at Colonus of Sophocles. Edited with introduction and notes by Sir Richard Jebb, Cambridge.
Kovacs, D. (1994), Euripides. Euripides Cyclops. Alcestis. Medea, vol. 1, Cambridge, MA.
Markantonatos, A. (2004), ‘‘Mystic Filters for Tragedy: Orphism and Euripides’ Rhesus’’, Ariadni 10, 15-48.
Martínez Fernández, A. (2006), Epigramas Helenísticos de Creta, Madrid.
Murray, G. (1913), Euripides. Euripidis Fabulae, vol. 2, Oxford.
Murray, G. (1913), Euripides. Euripidis Fabulae, vol. 3, Oxford.
Paton, W. R. (1917), The Greek Anthology. with an English Translation by. W. R. Paton, vol. 2, London.
Pattoni, M. P. (1989), ‘‘La sympatheia del coro nella parodo deo tragici graeci: motivi e forme di un modello dramatico’’, SCO 39, 33-82.
Sandys, J. (1915), The Odes of Pindar including the Principal Fragments with an Introduction and an English Translation by Sir John Sandys, Cambridge, MA.
Storr, F. (1912), Sophocles. Sophocles. Vol 1: Oedipus the king. Oedipus at Colonus. Antigone. With an English translation by F. Storr, London - New York.
Storr, F. (1913), Sophocles. Sophocles. Vol 2: Ajax. Electra. Trachiniae. Philoctetes With an English translation by F. Storr, London - New York.
Suter, A. (2002), Lament: Studies in the Ancient Mediterranean and Beyond, Oxford -New York.
Suter, A. (2003), ‘‘Lament in Euripides’ Trojan Women’’, Mnemosyne 56.1, 1-28.
Swift, L. A. (2010), The Hidden Chorus: Echoes of Genre in Tragic Lyric, Oxford.
Tsagalis, C. (2004), Epic Grief: Personal Laments in Homer's Iliad, Berlin - New York.
Weiss, N. A. (2014), ‘‘The Antiphonal Ending of Euripides’ Iphigenia in Aulis (1475-1532)’’, CPh 109.2, 119-129.
Weiss, N. A. (2020), ‘‘Generic Hybridity in Greek Tragedy’’, in M. Foster - L. Kurke - N. Weiss (eds.), The Genres of Archaic and Classical Greek Poetry: Theories and Models, Leiden - Boston, pp. 167-190.
Wright, E. (1986), The Form of Laments in Greek Tragedy, Ph.D. diss., University of Pennsylvania.
Descàrregues
Arxius addicionals
Publicades
Com citar
-
Resum188
-
(Español)1
-
PDF 240
Número
Secció
Llicència
Aquesta obra està sota una llicència Creative Commons Reconocimiento-NoComercial-CompartirIgual 4.0 Internacional.