Le solo imprévu : l’atelier d’improvisation comme lieu d’échanges entre cultures d’audition
DOI:
https://doi.org/10.7203/itamar..23597
Resumen
Starting from sociologist Anne-Marie Green’s idea of “common
space”, and from Hans Robert Hauss’ reception theory, the improvisation
workshop is thought to be a way of transforming the practices of reception, in
order to modify the nature of the culture of listening of each listener. Four
research axis are, then, proposed, from the validation of the personal experience
of the participants to the reception of the instant’s surprise as a factor of
education, including the research of communicational tools specific to reception
of music, capable of captivating the listeners with the original aspects of the
unknown musical territories.
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2022-01-13
Cómo citar
Dutra, . A. (2022). Le solo imprévu : l’atelier d’improvisation comme lieu d’échanges entre cultures d’audition. Itamar. Revista De investigación Musical: Territorios Para El Arte. https://doi.org/10.7203/itamar.23597
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ITAMAR se distribuye bajo una Licencia Creative Commons Atribución-NoComercial-CompartirIgual 4.0 Internacional.