Le solo imprévu : l’atelier d’improvisation comme lieu d’échanges entre cultures d’audition

Abstract

Starting from sociologist Anne-Marie Green’s idea of “common space”, and from Hans Robert Hauss’ reception theory, the improvisation workshop is thought to be a way of transforming the practices of reception, in order to modify the nature of the culture of listening of each listener. Four research axis are, then, proposed, from the validation of the personal experience of the participants to the reception of the instant’s surprise as a factor of education, including the research of communicational tools specific to reception of music, capable of captivating the listeners with the original aspects of the unknown musical territories.