Sin contar la música. Ruinas, sueños y encuentros en la Europa de María Zambrano

Abstract

In the present work we carry out an analysis of the work of Henri Dutilleux (1916-2013) Les Citations, with the aim of finding arguments for the elaboration of a proposal of execution of the part of the oboe that is truly interpretative, that is to say, from the knowledge and understanding not only of the composer's style and aesthetics, especially at that time of his life, but also of the discovery of the organization of musical and extra-musical parameters, which have influenced and which appear in Les Citations.