Choreographing Social Manifestos: Dance-Theatre, Body, Identity and Semiotics in Amanda Dansa's "Crónica Civil" V-36/39 and "Toda una vida"

Authors

  • Olga Celda Real

DOI:

https://doi.org/10.7203/itamar.0.14060

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Published

2019-02-20

How to Cite

Celda Real, . O. (2019). Choreographing Social Manifestos: Dance-Theatre, Body, Identity and Semiotics in Amanda Dansa’s "Crónica Civil" V-36/39 and "Toda una vida". Itamar. Revista De investigación Musical: Territorios Para El Arte. https://doi.org/10.7203/itamar.0.14060
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  • Abstract
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  • PDF (Español)
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Issue

NÚMERO 3 (2010)

Section

Artículos

License

ITAMAR is distributed under a license Creative Commons Atribución-NoComercial-CompartirIgual 4.0 Internacional.

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