Ramón Barce y lo escénico: entre la biografía y la bibliografía

Abstract

This work proposes, by means of the biographical and bibliographical study, the revaluation of the scenic in the trajectory of the music composer Ramón Barce (Madrid, 1928-2008). Both for the theatrical -whether lyrical or not- as well as through the phonetic composition and the art of Action, the scenic is fundamental for this also prestigious professor and critic. Barce was a young actor and performer known in the Madrid house theatre, as well as a scholar of the lyric theatre and zarzuela editor. It is proved with all this that the theatrical in Barce, so far a facet little or nothing valued, however it is essential to understand the character, formation and development of this significant member of the Spanish avant-gardes of the second half of the twentieth century.