Como el viento, para piano, en su enunciado poético

Abstract

The approach to the piano work Como el viento adopts a particular orientation, which obeys the pretense of highlighting its poetic aspects. The various themes and common places approach us to delimit their defining features. We will identify the different types of scenarios that appear in the 14 pieces, whose relationship lies in the state of mind, in its sound, its orientation towards the basic questions of existence. The lived and longed for is the nexus that unites the different elements.