Madame Davit: Enjoying nature: Botanical illustration from a gender perspective

Authors

  • Àngels Viladomiu Department of Visual Arts and Design in the Faculty of Fine Arts of the University of Barcelona (Spain).
  • Àngel Romo Botanical Institute of Barcelona (CSIC-ICUB; Spain).

DOI:

https://doi.org/10.7203/metode.14.25553

Keywords:

Suzanne Davit, botanical illustration, nature aesthetics, gender perspective, epistolary sorority

Abstract

Suzanne Davit (Paris, 1897–Barcelona, 1973) is little known and studied, despite the relevancy of her legacy to the Catalan botanical illustration of the early and mid-20th century. Great botanists such as Pius Font i Quer greatly valued her unique way of capturing nature. As a woman and an artist who was passionate about nature and who was also scientifically very curious, her representation of plants was different from the typical work of the time. Her innovations are interpreted as an alternative artistic discourse to the dominant patriarchal dialogue and a manifestation of the female touch. Access to unpublished documents – Davit’s correspondence with a friend – has made it possible to reconstruct some of the key aspects of her work, involving the crossroads between the aesthetic exaltation of flowers and a gender perspective.

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Author Biographies

Àngels Viladomiu, Department of Visual Arts and Design in the Faculty of Fine Arts of the University of Barcelona (Spain).

Visual artist with a PhD in fine arts from the University of Barcelona. She is currently a professor in the Department of Visual Arts and Design in the Faculty of Fine Arts of the University of Barcelona (Spain) and is the coordinator of the master’s degree in production and artistic research at the University of Barcelona. Her research explores the connections between art, botany, and dendrology through interdisciplinary artistic projects. Recently, she has focused on the study of the historical herbarium collections in several European botanical institutes.

Àngel Romo, Botanical Institute of Barcelona (CSIC-ICUB; Spain).

PhD in biological sciences from the University of Barcelona. He currently works as a senior scientist at the Spanish National Research Council (CSIC) attached to the Botanical Institute of Barcelona (CSIC-ICUB; Spain). He has explored and studied the biodiversity of plants and plant communities in Mediterranean mountains and is currently investigating the roots and frontiers of scientific illustration.

References

Dyson, J. (2003). Botanical illustration or flower painting: Sexuality, violence and social discourse. Colloquy, 7. https://www.monash.edu/__data/assets/pdf_file/0005/1768379/dyson.pdf

Font Quer, P. (1958). Botánica pintoresca. Ramón Sopena SA.

Font Quer, P. (1973). Plantas medicinales: El dioscórides renovado. Labor.

Pearsall, W. H. (1949). Autumn colours. Endeavour, 8(3), 157–162.

Puche, C., Puche, C., Romo, À., & Susanna, A. (2007). Una il·lustradora a l’Institut Botànic de Barcelona. http://hdl.handle.net/10261/112038

Sennett, R. (2009). El artesano. Anagrama.

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Published

2024-01-11

How to Cite

Viladomiu, Àngels, & Romo, Àngel. (2024). Madame Davit: Enjoying nature: Botanical illustration from a gender perspective. Metode Science Studies Journal, (14), 6–13. https://doi.org/10.7203/metode.14.25553
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