Silencio y música en los Lager. Lectura de la Trilogía de Auschwitz de Primo Levi

Authors

  • Joan B. Llinares Universitat de València

DOI:

https://doi.org/10.7203/qfia.3.1.7085

Abstract

Abstract: From a careful reading of P. Levis’s three books on Auschwitz, this study draws an outline of the different types of silence that can be detected in the “Lager”, as well as the silence required for us to be attentive to the most unbearable and shocking of all, the Muslims’ and the victims’ silence. Then we analyze the presence and functions of the music performed in such places, highlighting its odious and degrading appearance (the bands for the prisoners parade) and its expressive and solidary face (the folk singers and songs).

Keywords: silence, music, dehumanization, humanism, art, freedom.

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Published

2016-04-02

How to Cite

Llinares, J. B. (2016). Silencio y música en los Lager. Lectura de la Trilogía de Auschwitz de Primo Levi. Quaderns De Filosofia, 3(1), 91–106. https://doi.org/10.7203/qfia.3.1.7085
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Issue

Vol. 3 No. 1 (2016): Silence/s

Section

Research Papers

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