Music perception, sound production, and their relationships in bowed string instrumentalists: A systematic review

Autores/as

DOI:

https://doi.org/10.7203/LEEME.51.25928

Palabras clave:

Percepción musical, producción sonora, instrumentistas de cuerda frotada, revisión sistemática.

Resumen

La percepción musical y la producción de sonido son habilidades muy importantes en la formación de músicos que tocan instrumentos de cuerda frotada. El propósito de esta revisión bibliográfica es resumir el conocimiento de estas habilidades y la relación entre ellas. Se ha realizado una revisión sistemática de la literatura utilizando el protocolo PRISMA. Los estudios se extrajeron de Sage, Scopus, WoS y JSTOR utilizando los términos: música, afinación, entonación y percepción. Se encontraron un total de 1819 estudios y se seleccionaron 29. Los estudios analizados abarcaron el período de 1937 a 2019 y los niveles desde la escuela primaria hasta los instrumentistas profesionales. El análisis aplicó seis categorías predeterminadas a los datos extraídos de los estudios seleccionados mostrando, en el mejor de los casos, una relación moderada entre ambas habilidades. Los datos podrían confirmar un aumento en la relación entre las dos habilidades debido a factores como el aprendizaje y las etapas de desarrollo. No obstante, estas etapas están relacionadas con la automatización de esquemas psicomotores y el desarrollo cognitivo, así como con el desarrollo de la expresión musical de los estudiantes. Se discuten varias tendencias aparentes relacionadas con la percepción musical y la producción de sonido.

Biografía del autor/a

Fernando López Calatayud, Universitat de València

Fernando López-Calatayud holds a PhD in music education from the University of València, Spain. His research interests include instrumental learning, instrumental practice strategies, motivation, and technology- mediated musical instrumental learning.

Citas

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Publicado

2023-06-05