The Immaterial Nature of the Lyric: Eduardo Kac’s Holopoetry

Authors

  • Celia Corral Cañas

DOI:

https://doi.org/10.7203/diablotexto.3.13092

Keywords:

Holopoetry, Eduardo Kac, Lyric, Digital Poetry

Abstract

Holopoetry explores the boundaries of space and reception and stands as a tridimensional, non-material lyric. Eduardo Kac’s work pioneers the genre, not only by his theoretical texts, but more importantly for his artistic creations. The lecture of holographic poems can only be conceived in terms of the lecturer’s point of view, with their approach to the work and its own motion. Thus, the constantly changing text becomes an event developed in both the spatial and temporal categories and generates a remarkably new aesthetic experience, mutable and different from one spectator to another.

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References

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Published

2019-01-18

How to Cite

Corral Cañas, C. (2019). The Immaterial Nature of the Lyric: Eduardo Kac’s Holopoetry. Diablotexto Digital, 3, 32–42. https://doi.org/10.7203/diablotexto.3.13092
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Issue

Vol. 3 (2018): LITERATURES IN THE FACE OF VIRTUAL REALITY AND AUGMENTED REALITY

Section

Critical Studies

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