Formas en conflicto. La práctica cinematográfica como experiencia revolucionaria en "La Blessure", de N. Klotz

Authors

  • Fran Ayuso Ros University of Valence

DOI:

https://doi.org/10.7203/eutopias.0.18833

Keywords:

Cinema, documentary, staging, immigration, capitalism, racism, Europe, politics, aesthetics, reality, forms, scene, body, violence, injury

Abstract

Critical thinking about social reality can be represented in cinema, not only through plot, buy also by means of the aesthetic forms making up a film’s dramatic exposition. In this article, we analyze the film La Blessure (2005) by Nicolas Klotz to point to the importance of elements of the mise-en-scène for the articulation of a critique of French immigration policies which focuses on the treatment received in Europe by the population of the old French colonies.

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References

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Published

2014-07-06

How to Cite

Ayuso Ros, F. (2014). Formas en conflicto. La práctica cinematográfica como experiencia revolucionaria en "La Blessure", de N. Klotz. EU-topías. A Journal on Interculturality, Communication, and European Studies, 7, 31–42. https://doi.org/10.7203/eutopias.0.18833
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Issue

VOL. 7 (2014)

Section

PERSPECTIVES

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