NO MORE FIX! The heroine, between weapon of democracy and heroic vehicle

Authors

  • Antonio Orihuela

DOI:

https://doi.org/10.7203/KAM.16.16194

Keywords:

counterculture, transition, democracy, delinquency, heroin.

Abstract

The Spanish counterculture flourished in the parenthesis of permissiveness that the transitional process, from oppressive Francoist structures to democracy, expedited social and cultural experiments. From 1978 onwards, the State will react to all this socio-cultural flowering of an autonomous sign, fostering a climate of truculence, sensationalism, fear, paranoia, delinquency, stigmatisation of poverty and drugs which, surprisingly orchestrated from the media, were also assumed as identity traits by the marginalized groups themselves. 

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References

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Usó, Juan Carlos. “Nos matan con heroína”. La web sense nom (17/05/2010). Extraído de “Madrid, capital de la sospecha”. Mombaça 8 (2010): 87-94.

Usó, Juan Carlos (2015). ¿Nos matan con heroína? Sobre la intoxicación farmacológica como arma de estado. Madrid: Libros Crudos.

Usó, Juan Carlos (2019). Drogas, neutralidad y presión mediática. Santander: El Desvelo.

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Published

2020-12-31

How to Cite

Orihuela, A. (2020). NO MORE FIX! The heroine, between weapon of democracy and heroic vehicle. Kamchatka. Revista De análisis Cultural., (16), 155–167. https://doi.org/10.7203/KAM.16.16194
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Issue

No. 16 (2020): Quinquis, yonkis y pandilleros. Imaginar, representar, contar la marginalidad urbana

Section

Monográfico. Quinquis, yonkis y pandilleros. Marginalidad urbana

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