No Domestication, Politicization, Erotism and Cruelty in Pilar Quintana’s and Ena Lucía Portela’s fairy tales rewritings

Authors

DOI:

https://doi.org/10.7203/KAM.20.23760

Keywords:

patriarchy, gender, representation, subversion, Pilar Quintana, Ena Lucía Portela

Abstract

his text introduces an aproach to “Caperucita se come al lobo”, by Pilar Quintana (Colombia, 1972), and “El sueño secreto de Cenicienta”, by Ena Lucía Portela (Cuba, 1972), from the idea that both stories —seen as cultural artifacts with a clear gender awareness— function as revisionist writings of the classic tales, that empower and politicize female characters which traditionally have been deprived of their own voice or which have been characterized by their submission. While, with a parodic and satiric tone, they resignify and question certain elements-symbols related to gender identity constructions, their stereotypes, and patriarchal violence, to articulate their own revindications and critics.

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References

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Zipes, Jack ([1987] 2012). Dont’ Bet on the Prince: Contemporary Feminist Fairy Tales in North America and England. New York: Routledge.

 

Zipes, Jack (2006). Fairy Tales and the Art of Subversion. The Classical Genre for Children and the Process of Civilization. Nueva York: Routledge.

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Published

2022-12-15

How to Cite

Bustamante Escalona, F. (2022). No Domestication, Politicization, Erotism and Cruelty in Pilar Quintana’s and Ena Lucía Portela’s fairy tales rewritings. Kamchatka. Revista De análisis Cultural., (20), 251–266. https://doi.org/10.7203/KAM.20.23760
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Issue

No. 20 (2022): Violencias de frontera en México. Ecología política y praxis cultural

Section

Miscellany: topics, poetics and issues of contemporary culture

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