Teatre sense parets. A propòsit de les noves dramatúrgies al carrer
DOI:
https://doi.org/10.7203/caplletra.33.4926Keywords:
teatre contemporani, teatre al carrer, Xarxa Teatre, caixa italiana
Abstract
The author applies the methodological basis of the theatre in the street to the theatrical approaches and the particular
performances of Vila-Real’s group Xarxa Teatre. Particularly, he emphasises two factors: the split of the “Italian box” space and its consequences for actors, receivers and technology.
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