«Redacció» de Quim Monzó, i dues de les seues versions cinematogràfiques
DOI:
https://doi.org/10.7203/caplletra.33.4928Keywords:
«... Olivetti, Moulinex, Chaffoteaux et Maury», Quim Monzó, cinema, versió cinematogràfica
Abstract
The author analyses the parallel components of the brevity parameter between the written and the film narrative, and, at the same time, the languages autonomy that each one involves, starting from the specific performance option in two versions of the tale Redacció (‘Composition’) by Quim Monzó.
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