Reflexividad y narratividad en Ricardo Piglia: de Macedonio a Fitzgerald
DOI:
https://doi.org/10.7203/KAM.1.2304Keywords:
Piglia, Fitzgerald, Macedonio, posmodernismo, narratividad, metaficción
Abstract
Resumen: Este artículo analiza algunos rasgos de la narrativa reciente del argentino Ricardo Piglia con relación a las poéticas de Macedonio Fernández y del estadounidense Francis Scott Fitzgerald. La primera parte trabaja la relación conflictiva de Piglia con el llamado posmodernismo; la segunda parte explica el vínculo entre Piglia y Macedonio, a través de la poética de la autonomía de lo literario; la tercera parte aborda la relación con Fitzgerald, por medio de un análisis de sus respectivas búsquedas de formas narrativas, para concluir en una cuarta parte ciertos cambios dentro de la propia obra novelesca de Piglia.
Palabras clave: Piglia, Fitzgerald, Macedonio, posmodernismo, narratividad, metaficción
Abstract: This article analyses some of the traits of Ricardo Piglia’s recent narrative fiction by means of its relation to Macedonio Fernández and the American author Francis Scott Fitzgerald. The first part develops Piglia’s conflictual approach to the postmodern. The second part explains the bond between Piglia and Macedonio by showing how their poetics defend the idea of literature’s autonomy. The third part examines his relation to the oeuvre of Fitzgerald by analyzing their respective ways of conceiving narrative forms. The article concludes with a reading of some transformations within Piglia’s novelistic works.
Key words: Piglia, Fitzgerald, Macedonio, postmodernism, narrativity, metafiction.
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Author Biography
Andrea Torres Perdigón, Université Paris IV-Sorbonne
References
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