La recepción del teatro humorístico en la prensa contemporánea
DOI:
https://doi.org/10.7203/qf-elit.v15i0.3977Keywords:
Press, Humour, Tricicle, Pepe Rubianes, Faemino y CansadoAbstract
The article examines the common elements of comedy theatre as perceived in contemporary press reviews using the examples of Tricicle, Pepe Rubianes and the duo Faemino y Cansado. An examination of numerous interviews and reviews published over more than twenty-five years reveals a series of recycled strategies employed by these comic actors to promote their shows, and in particular, the conventional attitudes and lack of critical commitment shown by the journalists who wrote the articles. However, resorting to this type of documentation is unavoidable, due to the shortage of academic bibliography on these examples of contemporary humour.
Downloads
Downloads
How to Cite
-
Abstract240
-
PDF (Español)108
Issue
Section
License
Este obra está bajo una licencia de Creative Commons Reconocimiento-NoComercial-SinObraDerivada 4.0 Internacional.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).