Honneth y Adorno ante la patología: crítica que abre mundo o interpretación materialista de las obras de arte
DOI:
https://doi.org/10.7203/qfia.11.2.28328Keywords:
crítica, materialismo, filosofia de la historia, interpretación, hermenéutica, Teoría crítica.
Abstract
Honneth and Adorno faced with pathology: world-opening critique or materialistic interpretation of artworks
Resumen: El artículo presenta una revisión de las lecturas de Dialéctica de la Ilustración que proponen J. Habermas y A. Honneth como filosofía objetivista de la historia o crítica que abre mundo y presenta, frente a ellas, la actualidad de la filosofía crítica de Adorno como interpretación materialista de las obras de arte.
Abstract: This article criticizes J. Habermas’ and A. Honneth’s reading of Dialectic of Enlightenment as an objectivist philosophy of history or a world-disclosing critique, respectively. Instead, it defends the actuality of Adorno’s critical philosophy as a materialist interpretation of works of art.
Palabras clave: crítica, materialismo, filosofía de la historia, interpretación, hermenéutica, teoría crítica.
Keywords: critique, materialism, philosophy of history, hermeneutics, interpretation, critical theory.
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References
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Lukács, G. 1963, Die Theorie des Romans. Ein geschichtsphilosophischer Versuch über die Formen der großen Epik. Mit dem Vorwort von 1962, Hamburgo: dtv.
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