The folds of history. Kapò, La battaglia di Algeri, Ogro
Keywords:
Holocaust Movie, Jacques Rivette, Algeria, Luis Carrero Blanco, Francoism
Abstract
The controversial but, at the same time, productive relationship between Pontecorvo and 20th Century History’s writing. Kapò and the definition of Holocaust Movie:between production issues and expressive compromises. The critical controversy caused by Jacques Rivette, and renewed some decades after by Serge Daney. The Battle of Algiers: the international success obtained with the most political and militant film. The film’s aesthetic precipitate that floods in the most heterogeneous range. Ogro, or rather “the guilty conscience film”: Luis Carrero Blanco’s assassination and the end of Francoism in the last Pontecorvo’s feature film, aesthetically a blend between political work and contemporary action film.
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Author Biography
Sergio Di Lino
Sergio Di Lino, dottore di ricerca in discipline cinematografiche presso l’Università degli Studi Roma 3, è stato per tredici anni direttore della testata online CinemAvvenire.it e attualmente è responsabile delle attività cinematografiche dell’Associazione Centro Internazionale CinemAvvenire e Direttore del CinemAvvenire Film Festival. Responsabile e organizzatore di numerose rassegne a carattere cinematografico, è stato per quattro anni vicedirettore dell’Asian Film Festival. Collabora con la testata HKX.it ed è autore di numerosi saggi sul cinema apparsi su riviste specializzate o in volumi collettanei.
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Published
2016-06-30
How to Cite
Di Lino, S. (2016). The folds of history. Kapò, La battaglia di Algeri, Ogro. Zibaldone. Estudios Italianos, 4(2), 32–55. Retrieved from https://turia.uv.es/index.php/zibaldone/article/view/8491
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Section
Dossier monografico
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