the mechanics of power. Queimada

Authors

  • Pietro Liberati Padova

Keywords:

Colonialism, Marlon Brando, Evaristo Márquez, representation, United Artists

Abstract

The genesis of Queimada, 1968 movements’ suggestions and a partial Pontecorvo’s disappointment with some unfulfilled preconditions. The necessity to conjugate the storytelling in past in order to speak about the present days. A new glance on colonialism. The comparison between the characters of William Walker and José Dolores, and also between their performers: Marlon Brando’s academic background and Evaristo Marquez instinctual naturalism. About representation and mise-en-scene, metaphorized by the double dichotomy Walker/Dolores and Brando/Márquez. Distribution issues with United Artists. A controversial critical reception and a belated reassessment.

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Author Biography

Pietro Liberati, Padova

Pietro Liberati, classe 1980, vive e lavora nel padovano, dove si è fatto le ossa in un'agenzia di distribuzione cinematografica per le etichette Buena Vista, Filmauro, 01 Distribution, Eagle. Ha collaborato con numerose testate web, come  www.cinemavvenire.it ,  www.filmidee.it ,  www.movieconnection.it , e curato e presentato cineforum e rassegne a tema nel circuito d'essai della sua regione

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Published

2016-06-30

How to Cite

Liberati, P. (2016). the mechanics of power. Queimada. Zibaldone. Estudios Italianos, 4(2), 56–66. Retrieved from https://turia.uv.es/index.php/zibaldone/article/view/8492
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Issue

Vol. 4 No. 2 (2016): Storie e geografie di Gillo Pontecorvo

Section

Dossier monografico

License

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