La Celestina como emblema del exilio republicano en México: la versión de Álvaro Custodio

Authors

  • Juan Pablo Heras González

DOI:

https://doi.org/10.7203/Celestinesca.37.20158

Keywords:

Celestina, Álvaro Custodio, exile, theatrical performance

Abstract

The stage director Álvaro Custodio (1912-1992), who belongs in his youth to García Lorca’s La Barraca, created during his exile in Mexico (1944-1973) an important company dedicated to Spanish theatre classics. The most representative staging of his company was his own version of La Celestina, first identyfing Fernando de Rojas' heterodoxy with Spanish republicans. The article analyzes in detail causes and decisions in his version, as Melibea's profile as romantic heroine or identification of Pleberio with Golden Century comedy's jealous father.

Downloads

Download data is not yet available.

Downloads

Published

2021-01-16

How to Cite

Heras González, J. P. (2021). <i>La Celestina</i> como emblema del exilio republicano en México: la versión de Álvaro Custodio. Celestinesca, 37, 49–86. https://doi.org/10.7203/Celestinesca.37.20158
Metrics
Views/Downloads
  • Abstract
    312
  • PDF (Español)
    187

Issue

Vol. 37 (2013)

Section

Articles and notes

License

Logotipo licencia Creative CommonsCelestinesca is committed to the dissemination of knowledge, that is why access to its contents is free and is ruled by a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 license.

Authors retain the rights to their works. Therefore, they can disseminate them and deposit them in the repository, institutional or not, that they wish. However, they are kindly requested to do so by providing the full bibliographic reference and the corresponding DOI.

Celestinesca does not charge authors for submitting, processing, reviewing or publishing their articles.