Theatrical Practice and Ideological Displacement: The Brecht of Juan Carlos Rodríguez
DOI:
https://doi.org/10.7203/diablotexto.16.29395Keywords:
ideological unconscious, distancing effect, ideology, literature, theatre
Abstract
The purpose of this text is to explain the theory of the ideological unconscious, as developed by the literature professor Juan Carlos Rodríguez in his book Teoría e historia de la producción ideológica (1974), and as it has been progressively elaborated in subsequent studies up to the present century. For this purpose, the literary and theoretical or reflexive work of Bertolt Brecht will be used as an illustration, since Rodríguez also studied this author, and his approach to the distancing effect reveals, among other things, its support in a necessarily political (and therefore historically changing) conception of literature. The ultimate aim of the article is to deepen the understanding and originality of this thinker’s work programme.
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