Letters to Lola. Family Archives, War Memories and a Photo
DOI:
https://doi.org/10.7203/KAM.18.20301Keywords:
Family Archives, Letters, Photography, Memories, Spanish Civil War, Franco.
Abstract
What clues can provide an epistolary archive about daily life during the Spanish Civil War? The handwritten letters by Josep María to his wife and family from the Republican Front lasted between August 22, 1937 and May 15, 1939, including an interruption after being taken prisoner and taken to a concentration camp. The place of photography and letters as vehicles for family memories will be investigated, since the allusion to family portraits appears insistently in the deferred dialogue between the spouses. In addition to understanding photography as an image that brings the presence of the absent person, its material and objectual character is also underlined, its quality as a photographic thing that weighs, is treasured and that, unfortunately for the soldier, also runs the risk of being lost.
Downloads
References
Appadurai, A. (1991). La vida social de las cosas. Perspectiva cultural de las mercancías. México: Grijalbo/Conaculta.
Batchen, G. (2004). Forget me not. Photography & Remembrance. Nueva York: Princeton Architechtural Press.
Edwards, E. y J. Hart (2004). Photographs Objects Histories. On the Materiality of Images. Nueva York: Routledge.
Fortuny, N. (2014). Memorias fotográficas. Imagen y dictadura en la fotografía argentina contemporánea, Buenos Aires: La Luminosa.
Hirsch, M. (1997): Family frames. Photography, Narrative and Postmemory. Londres: Harvard University Press.
Moreno Andrés, J. (2019). El duelo revelado: la vida social de las fotografías familiares de las víctimas del franquismo. Madrid: Consejo Superior de Investigaciones Científicas.
Moreno Andrés, J y Douglas, L. (2016). “La correspondencia desde el exilio: la vida social de las fotografías familiares de los exiliados de Ciudad Real”. Macé, J. y Martínez Zauner, M. (2016). Pasados de violencia política. Memoria, discurso y puesta en escena. Madrid: Editorial Anexo: 213-232.
Rosón Villena, M. (2016). Género, memoria y cultura visual en el primer franquismo. (Materiales cotidianos, más allá del arte). Madrid: Cátedra.
Sierra Blas, V. (2016). Cartas presas: La correspondencia carcelaria en la Guerra Civil y el Franquismo. Madrid: Marcial Pons Ediciones de Historia.
Sontag, S. (2006). Sobre la fotografía. Buenos Aires: Alfaguara.
Downloads
Published
How to Cite
-
Abstract1710
-
Artículo PDF (Español)920
Issue
Section
License
This journal provides an immediate free access to the content on the principle that freely make investigation available to the public, which promotes an increased global knowledge exchange.
Unless otherwise indicated, texts published in this journal are under the license Attribution-NonComercial 4.0 by Creative Commons. These texts may be copied, distributed and publicly communicated whenever the publication’s author and title are quoted and whenever they are not used for commercial purposes. In any case, intellectual property of the articles and its potential economic rights entirely belong to its authors.
The full license can be consulted on https://creativecommons.org/licenses/by-nc/4.0/. We encourage authors to disseminate papers published in Kamchatka. Journal of cultural analysis electronically, in institutional digital repository or in their websites.
Similar Articles
Most read articles by the same author(s)
Make a Submission
Language
Information
Keywords
