Allegory of a polysystem in Matéi Visniec’s play Paparazzi

Abstract

This article will analyze the way in which Matei Visniec, through his play Paparazzi, shows the syllogistic structure of his own play, as well as that of the polysystem of deformations that surrounds and assails us. We will try to describe the mechanisms by which the Romanian author points out the need for sabotage. In fact, In fact, by a mise en abyme of the process of creating mass media content, Paparazzi brings out in the form of a theatrical allegory to which Asensi alludes, that is, the fact that the discourses that model our perception of the world are an altered representation of reality that needs to be sabotaged.