‘Wer die Grenze überschreitet, steht draußen’: El artista en la literatura alemana en la frontera entre el arte y la realidad
DOI:
https://doi.org/10.7203/qf-elit.v12i0.5023Keywords:
Outsiderness, artist’s existence, Weltflucht, Romanticism, music
Abstract
With the autonomization of art at the end of the 18th century, the artist acquires a new social identity. He emancipates from the traditional social order, subject to external not subjective factors, and at the same time, the free market generalizes his dissociation from the social pyramid. On one side, the artist liberates himself from the institutionalized norms and behaviour and acts in an autonomous level, but on the other hand, he places himself in a situation of social indigence, isolation and poverty. This new autonomous art and the subjective freedom of the artist in society, run parallel to the representation of aesthetic subjectivity in literature, in which the artist shows himself in his most problematic facet, separated from his environment.
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