Los agentes secretos de Hitchcock – los gráficos, el ocularcentrismo y el asalto al estado estético

Abstract

From the concept of “black hole” coined by the North-American critic Hillis Miller and of the rereading that of the same one made Manuel Asensi, this text is asked for the sense of the critic in the post-political era and looks for its answers in an analysis of the power and the image games, in as much hypnosis of our world, taking like departure point some photograms of Hitchcock’s most famous films, until sliding towards a “aesthetic ideology” or a “aesthetic state”, that procedees to Paul de Man.