“Ça fait pas cher et ça émerveille…”: Mitography and professionalization of the 'phénomène' en France during the first decade of the 20th decade
DOI:
https://doi.org/10.7203/qf-elit.v19i0.5203Abstract
The aim of this paper is to explore the mechanisms inherent to the freak show as a paratheatrical performance in France at the beginning of the 20th century. Firstly, throughout the exhibition of the anomalous body in foires and circuses, I will analyse to what extent the phénomène may be considered an actor, a character, or both following the precepts of mythistory. Secondly, I will attend to the main milestones of the professionalisation of the freak actor by means of his/her contextualisation within the processes of the French cultural industry at the turn of the 19th century.
Keywords: freak show; theatre industry; mythistory; physicality.
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