Vol. 19 (2014): "TEATRO DE EXCEPCIÓN": NON-INSTITUTIONAL STAGE EXPERIENCES IN THE EUROPE OF 20TH AND 21ST CENTURIES

Artículos

• Introduction

  Juan Carlos De Miguel y Canuto, Mireia Aragay Sastre, Juan Vicente Martínez Luciano

  9-14

  • PDF (Español)
  • PDF (Español)

• Prison scenes

  Paolo Puppa

  15-30

  • PDF (Español)

• “Since I met art…”: Prison experience, theatre and cinema of the 'real' in "Cesare deve morire" by the Taviani brothers

  Paolino Nappi

  31-54

  • PDF (Español)

• Eugenio Barba and the enigma of the missing link

  Ferdinando Taviani

  55-64

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• Theatre and Anti-psychiatry in Italy: The case of Marco Cavallo (1973)

  Juan Carlos De Miguel y Canuto

  65-83

  • PDF (Español)

• On the Margins: Dementia and the Present Moment

  Cariad Astles

  85-108

  • PDF (Español)

• “Ça fait pas cher et ça émerveille…”: Mitography and professionalization of the 'phénomène' en France during the first decade of the 20th decade

  Ignacio Ramos Gay

  109-127

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• C’est la faute à Le Corbusier!: théâtre radieux de Louise Doutreligne

  Evelio Miñano Martínez

  129-152

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• Projekt Theater/Fleischerei_mobil, experiences of alternative and experimental theatre in today's Vienna

  Jordi Auseller Roquet

  153-172

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• Klata, exception and commitment

  José Gabriel López Antuñano

  173-188

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• AlmaViva Teatro: Classics from commitment

  Marta Olivas

  189-204

  • PDF (Español)

• Teatro Utile (Arte e Sviluppo)

  Tiziana Bergamaschi

  205-221

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• Erasmus Scene: European University Theatre

  Josep Valero, Daniel Tormo, Antoni Tordera

  223-238

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• Quando i letteratti italiani promuovono ad “eccezione” il teatro (Pirandello, i futuristi, Pasolini, Testori, Maraini)

  Giorgio Taffon

  239-257

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• The hispanic theme in Contemporary Russian Theatre

  Anna Bakánova

  259-275

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