Vol. 14 (2023): La industria cultural en el franquismo: prácticas censoras, campo editorial y otros productos culturales

Coordinado por Carla María Juárez Pinto (Universitat de València) y Jesús Peris Llorca (Universitat de València)

Published: 2023-12-29

Presentation

• The cultural industry in the Franco regime: censorship practices, editorial field and other cultural products

  Carla María Juárez Pinto, Jesús Peris Llorca

  1-10

  • PDF (Español)

Critical Studies

• Someone else’s war: the Spanish Civil war from Gibraltar

  Julio Ponce Alberca

  11-28

  • PDF (Español)

• Carabanchel, the Demolition and the Construction of Memory

  Maria Ferreiro Ferreiro

  29-47

  • PDF (Español)

• “American brothers…”. Ángel Ossorio y Gallardo, Catholic, Monarchist at the Service of the Republic

  Carlos González Ruiz

  48-69

  • PDF (Español)

• The Spanish Civil War in the Italian press: The examples of Il Messaggero d’Algeri and Il Nuovo Avanti

  Soledad Castaño Santos

  70-93

  • PDF (Español)

• The Civil War in Guadix (Granada): Casual Looks and Evocations of a Conflict.

  Antonio Reyes Martínez

  94-123

  • PDF (Español)

• Franco's regime, the flamenco lyrics and dissident narratives

  Florian Homann

  124-150

  • PDF (Español)

• "Y tú, ¿qué haras ahora??": the Fracture of War in "La voz de los muertos", by Luis Rosales

  Fran Contreras

  151-177

  • PDF (Español)

• María Luisa Carnelli, the war poems and the utopia of the vanguard

  Laura María Martínez Martínez

  178-204

  • PDF (Español)

• Postmemory and Portraiture. The Role of Photography of Children in the Reconstruction of Identity in Postwar Spanish Poetry: Antonio Martínez Sarrión, María Victoria Atencia and Guadalupe Grande

  María Emma Llorente

  205-230

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• Sobre lo trémulo de la memoria desnuda, todo se está repitiendo: the dissident experience of the war and the post-war in the Colliure, El Bardo and Ocnos collections

  Alexandra Camelia Dinu

  231-265

  • PDF (Español)

• Transexuality and Clandestinity in the Franco Regime

  Andrea Salinas Soto

  266-282

  • PDF (Español)

• The Nation’s Regeneration: the Appropriation of Eugenics by the Female Protagonists in Sofía Casanova’s El doctor Wolski: páginas de Polonia y Rusia (1894) and Concha Espina’s “La torre verde” (1936, 1937)

  Angela Pierce

  283-309

  • PDF (Español)

• Elena Soriano: a Writer Fighting Against Franco’s Censorship

  Estefanía Linuesa Torrijos

  310-334

  • PDF (Español)

• Spaces of Dissent: Translation, Circulation, and Censorship of Henry Miller’s and Anaïs Nin’s Works in Late-Francoism

  Sofía Monzón

  335-354

  • PDF (Español)

• Discourses and Censorship Practices on Hollywood Cinema in Spain During the 50’s

  M.ª Carmen Cánovas Ortega

  355-375

  • PDF (Español)

• Approach to the Study of Theatre Networks in Bizkaia (1939-1975): Notes on Spaces, Modes of Dissemination, Groups and Playwrights

  Marina Ruiz Cano

  376-398

  • PDF (Español)

Miscellany

• From what is criticizable and what is appreciated: latest articles by Javier Marías (2017-2021)

  Fernando Valls

  399-423

  • PDF (Español)

• Humanidades médicas, humanidades ambientales y literaturas indígenas contemporáneas en América Latina

  Miguel Ángel Martínez García

  424-442

  • PDF (Español)

Reviews

• Flores Ledesma, Antonio (2022). Marx juega. Una introducción al marxismo desde los videojuegos (y viceversa). Madrid: Episkaia.

  Daniel López Ruiz

  443-448

  • PDF (Español)

Full Volume Download

• The cultural industry in the Franco regime: censorship practices, editorial field and other cultural products

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