Salvador Elizondo: A Philology of the Image

Authors

DOI:

https://doi.org/10.7203/eutopias.25.26536

Keywords:

Literatures of the world, Salvador Elizondo, postphilology, anarchivism, image.

Abstract

The same year that Salvador Elizondo releases his film Apocalypse 1900, which will remain archived in cans until 2007, he also publishes Farabeuf o la crónica de un instante. This survival and recovery of the film archive illuminates the literary text and allows us to see what was always there: Farabeuf is not only an intermediate book –which incorporates and reflects on images– or an experimental book that takes Bataillean aesthetics to its ultimate consequences, but, above all, an intervention in the archives of modernity, a montage-writing that intervenes in and from certain archives that define modernity. This paper proposes to analyze Elizondo’s novel and film from these postulations, trying to think about the place of his intervention in Latin American literature and the arts of the twentieth century from a postphilological and anarchivistic perspective.

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Author Biography

Leo Cherri, Universidad Nacional de Tres de Febrero - CONICET

Leo Cherri holds a PhD from the University of Buenos Aires with a thesis on the relationship between writing and image in the work of Mario Bellatin. He is a Professor in the Master’s Program in Latin American Literary Studies at the Universidad Nacional de Tres de Febrero. At the same institution he is Coordinator of the Program of Contemporary and Comparative Latin American Studies (PELCC), and Editor of the magazine Chuy . In collaboration with other colleagues he has coordinated dossiers ( Landa, Eu-topías ) and edited books such as Saberes Subalternos (EDUNTREF, 2019), Mario Bellatin: literatura y margen (EDUNTREF, 2023), Archivar, anarchivar, desarchivar. Memoria y estrategia (Tirant, 2023). He was invited by the University of Olomouc (Czech Republic) to participate in the design of the international project Archives in Transition: Collective Memories and Subaltern Uses (2020-2025), which received funding from the Marie Curie Association of the European Union (872299), and in which he currently serves as Data Management Officer.

References

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Published

2023-07-18

How to Cite

Cherri, L. (2023). Salvador Elizondo: A Philology of the Image. EU-topías. A Journal on Interculturality, Communication, and European Studies, 25, 87–98. https://doi.org/10.7203/eutopias.25.26536
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Issue

Vol. 25 (2023)

Section

DOSSIER

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