Godard, a concert in memoriam

Authors

  • Natalia Ruiz Martínez Universidad Complutense de Madrid
  • Ana Useros Martín Universidad Complutense de Madrid

DOI:

https://doi.org/10.7203/eutopias.26.28083

Keywords:

Godard, Histoire(s) du cinéma, memory, cinema, thought.

Abstract

Filmmaking is a craft made of many small gestures and trades. Accompanying films throughout their lives is also a small craft made up of many trades. As a tribute to the impact that Jean-Luc Godard left on our lives, we propose one reading or two as accompaniment(s), to Histoire(s) du cinéma, which was in turn one of the many ways that Godard accompanied and let himself be accompanied by cinema.

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Author Biographies

Natalia Ruiz Martínez, Universidad Complutense de Madrid

Natalia Ruiz is an art historian specialized in Film History and Image Aesthetics. Her doctoral thesis was about Godard’s Histoire(s) du cinéma , a work of which she was also a translator, and on which she published the book En busca del cine perdido . Her work as a specialized translator includes others of Godard’s films, several books on cinema, as well as a long collaboration with Caimán Cuadernos de Cine . After developing a postdoctoral project on the relations between cinema and museum, she published the text “De la naturaleza y el museo” about the films Cézanne by Straub-Huillet. She has extensive experience in museum didactic and cultural mediation. She is currently an associate professor of History of Thought and Aesthetic Ideas at the Complutense University of Madrid.

Ana Useros Martín, Universidad Complutense de Madrid

Ana Useros studied Philosophy at the Complutense University of Madrid. She is a professional translator in the fields of social sciences, art and philosophy. In the remaining time, after attending to family, friends and militancy, she has been a film critic, documentary maker, researcher and film programmer, the organizer of the Lavapiés Film Festival. Among other publications, she edited the book El atlas de las mujeres en el mundo (Clave intelectual, 2019) and has authored two audiovisual works, Walter Benjamin. Constelaciones (Círculo de Bellas Artes 2010, co-directed with César Rendueles) and Historias como cuerpos, cristales como cielos (Círculo de Bellas Artes, 2013).

References

Baudelaire, Charles. Las flores del mal. Madrid: Cátedra, 1995. 

 

Bergala, Alain. Nadie como Godard. Barcelona: Paidós, 2004.

 

Daney, Serge. La rampe. París: Cahiers du cinéma, 1996.

 

Deleuze, Gilles. La imagen-tiempo. Estudios sobre cine 2. Barcelona: Paidós, 1996

 

Godard, Jean-Luc. Introducción a una verdadera historia del cine. Madrid: Alphaville, 1980.

 

Godard, Jean-Luc e Ishaghpour, Youssef. Archéologie du cinéma et mémoire du siècle. Dialogue. Tours: Farrago, 2000. 

 

Leutrat, Jean-Louis. Des traces qui nous ressemblent. Chambéry: Comp’act, 1990.

 

Leutrat, Jean-Louis y Liandrat-Guigues, Suzanne. Jean-Luc Godard. Madrid: Cátedra, 1994.

 

Lévi-Strauss, Claude. El pensamiento salvaje. Madrid: F.C.E., 2002.

 

Rimbaud, Arthur. Poesía completa. Madrid: Visor, 1997.  

 

Ruiz, Natalia. En busca del cine perdido. Bilbao: Servicio editorial de la UPV, 2009.

 

Zunzunegui, Santos. La mirada plural. Madrid: Cátedra, 2008.

 

Zunzunegui, Santos. Bajo el signo de la melancolía. Madrid: Cátedra, 2017.

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Published

2023-12-29

How to Cite

Ruiz Martínez, N., & Useros Martín, A. (2023). Godard, a concert <i>in memoriam</i>. EU-topías. A Journal on Interculturality, Communication, and European Studies, 26, 5–18. https://doi.org/10.7203/eutopias.26.28083
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Issue

Vol. 26 (2023)

Section

WIDE ANGLE

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