The Theatre of Death by Tadeusz Kantor as a reflection of the 20th century
DOI:
https://doi.org/10.7203/qdfed.24.16339Keywords:
The Theatre of Death, Tadeusz Kantor, European History, Twentieth centuryAbstract
The Theatre of Death was the last stage of Tadeusz Kantor’s theatre production, which was marked by the interest in the dead from its beginning. The great milestones of the twentieth century can be traced in all the five performances (from 1975 to 1991). On the stage appear soldiers and their generals, but also the victims of the tragic events of the two World Wars. All this is shown through Kantor’s personal view, who turns his hometown, Wielopole Skrzy?skie, into the allegory of Europe exposed to continuous conflicts.
Downloads
Downloads
Published
How to Cite
-
Abstract2186
-
PDF (Español)2768
Issue
Section
License
Este obra está bajo una licencia de Creative Commons Reconocimiento-NoComercial-SinObraDerivada 4.0 Internacional.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).