Formas en conflicto. La práctica cinematográfica como experiencia revolucionaria en "La Blessure", de N. Klotz
DOI:
https://doi.org/10.7203/eutopias.0.18833Keywords:
Cinema, documentary, staging, immigration, capitalism, racism, Europe, politics, aesthetics, reality, forms, scene, body, violence, injury
Abstract
Critical thinking about social reality can be represented in cinema, not only through plot, buy also by means of the aesthetic forms making up a film’s dramatic exposition. In this article, we analyze the film La Blessure (2005) by Nicolas Klotz to point to the importance of elements of the mise-en-scène for the articulation of a critique of French immigration policies which focuses on the treatment received in Europe by the population of the old French colonies.
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