Una experiencia encarnada de investigación escénica en estudios teatrales universitarios

Carolina Martínez López

doi:10.7203/eari.10.14309

Authors

Carolina Martínez López Universitat de Girona (EU ERAM) http://orcid.org/0000-0003-1759-7651

DOI:

https://doi.org/10.7203/eari.10.14309

Keywords:

Performing Arts university studies, Art-based Research, embodied experience, A/r/tography, performative

Abstract

This article presents a pedagogical and research proposal in Performing Arts university studies based on theoretical analysis, and on physical, intellectual and emotional experience of scenic creative processes. Throughout it, we will see how the difficulty of Performing Arts studies to integrate into the scientific field and into the Academy can be used to build new educational and creative paths, taking into account the specificity of Theater, alive and ephemeral by nature. We will go through the path of Arts-Based Research, A / r / tography (branch of ABR) and previous experiences of Theater-Based Research. We will combine an organic and holistic vision based on the idea of art as an embodied experience, and the approach to research as a work in permanent process. As for the aesthetic, a transversal perception of theatre will prevail within the framework of the so-called “expanded theatricalities” linked to the concept of “performative”. In a second phase, we will link this theory with the description and analysis of practical cases carried out in the Degree of Performing Arts of the University of Girona (EU ERAM), to try to assess the effectiveness of the proposal, in addition to seeking to settle valid parameters for evaluation.

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Author Biography

Carolina Martínez López, Universitat de Girona (EU ERAM)

Profesora Contratada Doctor Grado de Artes escénicas

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