The Turn of the Text? Opera Libretto and Translation: Appropriation, Adaptation and Transcoding in Benjamin Britten’s The Turn of the Screw and Owen Wingrave
DOI:
https://doi.org/10.7203/qf-elit.v13i0.4071Keywords:
Henry James, opera libretto translation, Benjamin Britten, intralingual and interlingual transferAbstract
Why is Henry James’s writing suited to operatic expression? How successful are the “semiotic transmutations” (Jakobson, 1959: 233) of his fiction into operatic forms? What salient issues are visible in foreign translations of the libretti? First we shall question why Henry James’s texts have been an attractive source for contemporary opera. We shall then focus on the operatic versions of The Turn of the Screw and Owen Wingrave, considering aspects of their transfer from novellas into operatic forms. Finally, the challenges of providing a French translation of these operas for DVD format will be examined. We shall discuss these issues and question whether what Paul Ricoeur calls “la construction du comparable” (2004: 66) can successfully take place in opera.
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